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Anna Wood
Writing Craft
A scene often gets better when nobody can stand still and deliver their feelings like a parish notice.

Give them a pan to stir, papers to sort, a hem to mend, a fire to coax into life. The hands do half the work and the conversation starts behaving like people actually behave: sideways, interrupted, a bit unwilling. Small tasks are useful because they create pressure without announcing it. Someone burns the onions, someone avoids eye contact, someone says the wrong thing while folding the same letter for the third time.

It is one of the simplest ways to stop dialogue from sounding too neat. And usually more revealing than the neat version.
Rose Scott
Useful, though I’d be wary of turning it into a rule. Sometimes stillness is the point. A person sitting very carefully with a cup they never drink from can tell you more than a whole chapter of practical business.

The trick is whether the activity changes the conversation, or just decorates it. If nothing is at stake in the task, it’s wallpaper.
Robert Lloyd
The danger is when the task becomes a trick. A pot to stir can be useful, but if everyone is forever polishing a spoon just to avoid saying what matters, the scene starts to feel arranged. I like work that has a reason in the room. A person mending a sleeve while dodging a question feels alive. A person endlessly buttering toast because the author wants subtext can smell of stage business.