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Edward Ainsworth
Publishing
A paperback and an ebook can look like the same book, but they often attract very different readers.

Price the ebook too low and it can stop feeling like a real purchase. Good for impulse buys, maybe. Less good if it quietly teaches people to wait for the next discount instead of treating the book as worth owning now.

The awkward bit is that “cheap” can help discovery and still damage expectations. Especially in fiction, where people already have a dozen reasons to postpone buying. Sometimes the price is part of the signal.
Caitlin Blake
The bigger problem, to my mind, is that ebook pricing often gets treated as a blunt instrument for value rather than a tool for positioning. Too cheap and it can feel disposable. Too expensive and people start comparing it with a paperback they can put on a shelf and lend to someone.

For fiction especially, the price has to do more than move units. It’s part of the book’s first impression.
Chris Cole
Pricing is doing two jobs there, and they don’t always pull in the same direction. A low ebook price can widen the net, but it can also make the book feel disposable, which is a strange outcome for something people are meant to live with for a while.

Sometimes the better signal is simply consistency. If the paperback is carrying the “proper book” price and the ebook is miles below it, readers notice the gap even if they don’t say so.