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Phoebe Roberts
Romance
Overheard conversations do such useful work in romance. Not the grand confession, usually. It’s the stray bit that slips out by accident: who already knows where the other person stands, who is pretending not to listen, who has started caring enough to catch every small thing.

That’s where the charge lives, for me. In the sideways leak. A half-finished sentence. A name said too carefully. Someone answering a question they were never meant to hear. Much more interesting than two people announcing their feelings like they’ve booked a slot for it.
Katie Walker
Overheard dialogue can do that, but it can also be a bit too neat if you’re not careful. Real eavesdropping is messy. Half the time you catch a fragment and spend the next page trying to work out whether it meant anything at all.

What I like more is when a character mishears something and acts on it anyway. That has proper romance energy, and a decent amount of chaos.