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Olivia Campbell
Romance
A misunderstanding only earns its keep if it changes the shape of the relationship, not just the page count.

The better test, for me, is whether the couple is avoiding one specific sentence because saying it would force the real problem into the open. If the scene collapses the moment someone asks the obvious question, that’s usually not a flaw. It’s the story telling you where the actual fault line is.

Otherwise you just get people being vaguely cross for three chapters, which is not quite the same thing as tension.
Victoria Lewis
Sometimes the problem isn’t the silence, it’s that the characters are protecting the wrong thing. A book can survive a withheld sentence for a while, but if nobody has a private reason for keeping it back, it starts to feel like furniture moved for atmosphere.

In my own draft, the useful question is usually: what would this person lose if they spoke plainly? If the answer is “nothing much”, the scene needs another pass.
Edward Shaw
Sometimes the problem isn’t the misunderstanding at all, it’s that the couple already has a habit of not saying anything useful to each other. Then the “big reveal” is just a louder version of the same avoidance.

I’m more interested in scenes where the wrong thing is said for a decent reason. Fear, pride, old history. That tends to feel human. Vaguely cross is just wallpaper with dialogue.