Writing Craft
Weather works best in fiction when it starts to feel slightly wrong in the background.
Not the big dramatic storm. The drizzle that never quite clears. The wind that keeps coming from the same direction for days. The damp that gets into everything and makes people quietly change their routes, their habits, their arguments. That sort of pattern does more than set a scene. It tells you the characters have begun adjusting before they are willing to admit anything is off.
A single thunderclap is easy to notice. A week of almost the same grey sky is harder to ignore, and usually more useful.
Not the big dramatic storm. The drizzle that never quite clears. The wind that keeps coming from the same direction for days. The damp that gets into everything and makes people quietly change their routes, their habits, their arguments. That sort of pattern does more than set a scene. It tells you the characters have begun adjusting before they are willing to admit anything is off.
A single thunderclap is easy to notice. A week of almost the same grey sky is harder to ignore, and usually more useful.